COMMA USAGE MADE SIMPLE
Copyright 2005, Michael LaRocca

Don't they drive you nuts?

You can visit all the rules of style you want, and you can read
all the books and articles you want. You'll still be confused.
You'll see inconsistency. You'll see experts who don't agree
with each other. And, you'll pull out your hair. Unless you're
me, since my hair's falling out all by itself. I think it'd do
that even if I weren't an editor hunting down errant commas.

Well, folks, here are some rules. A bare minimum. Internalize
these and ignore everybody else.

(1) Never put a comma between a subject and a verb. It's always
wrong. The dog, barked. What is that? Idiocy. Read it aloud,
and pause at the comma. Don't you feel stupid?

(2) If you want to separate a clause, put a comma on both sides
of it. Otherwise, no commas at all. "The dog, who held a bone
in his mouth, ran to the porch." See how there's a comma on
both sides? That's because you could skip that whole clause
entirely and it'd still be a complete sentence. "The dog ran to
the porch."

If I delete the first comma, I have to delete the second one.
You decide which looks best, two commas or none. But, one comma
doesn't work. Try deleting either one and reading the result
aloud, remembering to pause at the comma. It's a wreck, isn't
it? You don't talk like that, so don't write like that.

(3) "He saw the cat, the cat was on the couch." This is not a
good sentence. It's two sentences. The one before the comma has
subject/verb/object, and so does the one after the comma.

Run-ons like that can emphasize the run-on nature of a
character's words or thoughts, but use the device sparingly.
It's okay to break a rule, as long as you know what it is and
why you're breaking it.

But in the example above, it'd be best to make them two
sentences. If you find you just can't do it, consider a
semicolon. Don't believe anyone who says semicolons aren't
allowed in fiction. I wouldn't use one in the sample sentence,
but I've used them in other sentences I've written. Sparingly.

But for something as lame as a sentence about a cat on a couch,
it's best to follow the rules exactly and make that two sentences.
Do you really think your reader's gonna pop off for a beer or a
toilet break between them and lose his place? As long as they're
in the same paragraph, they'll be read together.

(4) And finally, THE rule. It works for narrative and it works
for dialogue. Read what you've written aloud. Wherever you
would pause for breath, whack in a comma. Because, you have
internalized the rules. You've been speaking English all your
life. But as an aspiring writer, you've been so busy trying to
learn "the rules" that you've forgotten the rule you've known
all along. And you DO know it.

If you'd like, you can look over some sentences in the
preceding paragraphs. You'll note some commas where they're not
strictly necessary. Often, it's where I begin a sentence with a
conjunction, also an alleged no-no. But that device can be used
sparingly to emphasize a point. And when I do that, sometimes I
whip in a comma for extra emphasis. A comma is a pause. That's
what you should note if you indulge in this exercise. I'm
pausing for emphasis. Read my sentences aloud. Pause at every
comma. The rhythm works. It's how I talk, and you won't be all
freaked out and confused as you listen because I paused in
funny places.

Lemme remind you what writing is. Telepathy. I'm in China and
you probably aren't, and you're reading this many months after
I wrote it, but you know what I'm thinking. Stray commas would
be a barrier to that. Good writers don't like barriers.

Just remember that a comma is a pause, and pause wherever you
think you should. Blow off the rules -- there are too many and
they just keep changing -- and trust your gut. If you do that,
I think you'll find that when you seek out publication, and
find yourself working with an editor, you'll hear very little
about your commas.

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